About this time last year, I was experimenting with origami pinhole cameras, with both photographic paper and black card (with film). What interested me, was how a simple manipulation of the medium allowed it to become a complete means of image-making.
Further experiments involving zone plates and camera-less photography, as well as a meandering train-of-thought, lead me to ponder the possibility of a photographic image that was capable of reproducing itself, ad infinitum. The notion posited a kind of photographic quine that is at once original, reproduction, and apparatus.
Deeper contemplation lead me to the realisation that if an image of a zone plate of “normal” perspective could be made at 1:1 scale, using identical zone-plate optics, then the image could be used to reproduce produce itself. (It wouldn’t practically matter if the image produced was positive or negative, as the zone plate could still work optically.) In the real world, of course, the number of “generations” would be limited by creeping image degradation, leading to “sterile” images that could no longer “reproduce”, but the conceptual basis of the process is certainly intriguing enough.
Further experiment pending.
A wee while ago (it must be about two years, now), I became interested in diffraction optics, particularly zone plates (aka: Fresnel plates, after Augustin-Jean Fresnel). After pursuing the technology and its properties for awhile, I filed my notes it away in my “curious_projects.txt” file, in order to concentrate on Serious Business.
Zone plates utilize the optical properties of diffraction and interference to converge (focus) incident light, and can be used to create photographic images. They consist of concentric, alternating opaque and transparent rings (“Fresnel zones”) of equal area. The more rings, the sharper and brighter the image. “Binary” zone plates have an interesting property, in that they create images with soft focus and interesting, luminescent halos (reminiscent the halation of old, thick, glass plates examples). Introducing a smooth, sinusoidal transition from transparent to opaque zones (as opposed to a hard edge) eliminates soft focus, creating a sharper image. A zone-plate objective for your SLR can be as easy to make as a good, sharp pinhole (instructions), if you can acquire a spare body cap and some contrasty film with a nice, clear base.
It occurred to me at the time that one of the big drawbacks of zone plate optics was that chromatic aberration could be pronounced and impossible to correct. I suspected that the solution could lie with multiple, RGB-filtered zone plates focussing different wavelengths. Now coming back to the problem (I have plenty of spare time, just now), it occurs to me that coaxial C-M-Y zone plates could present a more elegant solution. The question now is how to prototype a sandwich of coloured zone plates, precisely focussed for three primary wavelengths. I’m not sure I can even get good slide film, these days.